New A-Team movie?!!???!!!

Huh. Could be good, but the obvious question remains: Can the bad guys hit a man sized target at 10 feet? If the answer is yes, then the movie will be more realistic, but...Where's the fun in that? Later.

The Lost in the World guide to books you shouldn't read, Cinema edition.

In his previous blog, the Lost One liked to mock bad books (Here and Here, for those interested). Now having seen a movie based on a waaaaaaaaaaaay too popular book series, the Lost One proudly presents, The Lost in the World guide to books you shouldn't read, Cinema edition, or why Twilight sucks.

The basic problem with Twilight, is that it fails to properly appreciate the role of the modern vampire. The figure has his roots in the seminal work of fiction, Bram Stoker's Dracula, where, unlike his other forgettable monsters, Stoker managed to turn the monster into a metaphor. Read the book, and it will quickly become apparent that the Vampire is a loose (A very loose [A very very loose]) symbol for the person who has lost control of their own libido. Don't believe the Lost One? Read the book. Some of Dracula's attack scenes are quite blush inducing, and at one point the Three Sisters, upon learning of Drac's plan to steal Mina Harper mock him by saying, "You will never find love."

And that is the grand truth of the Sexual libertine, he will never find love in excess, for pleasure is a tread mill that goes no where, and demands more and more stimuli to reach previous levels. Thus, in Dracula we have a monster, without a doubt, but a monster that is us at our worst, and most selfish. In that way, Dracula is an interesting and approachable character.

Yet, in Twilight, the vampire is presented as a controlled monster, a dog on a lease. It is obvious the author is aware of the tradition (She makes references to her characters, "Losing Control" [I.E. killing humans] in the sexual act), and yet chooses to allow her Vampiric hero, to control his blood lust in the name of love. The result is to imply that, rather then killing love in its cradle as it really does, in excess one can find love. No. Simply no.

Of course the term "love" is itself corrupted as a result, and we see C.S. Lewis' wise definition, "The Lover wants only the best for the beloved.", twisted into a sick simulacrum of itself, "The Lover wants the best for himself from the Beloved." As all through out the movie the Lost One kept thinking, "Oh, you love her? How horrible, for both of you. Just move away and she will forget you and find someone new. After all, most widows remarry." Of course, the "hero" doesn't, but exposes her to constant danger, for no better reason then...er...ah...

Which brings the Lost One to his second complaint, this movie has no logic. At all. See it's a family of vampires, living in the middle of nowhere (Why? A big city is much, much, much better for getting anonymously lost in), who attend school with normal people (Why? Two words, *Home Schooling*), and have super awesome powers (Why? Magic? Science? No answer.) no weaknesses (Why Aren't they proud to be Vampires then?) and are content to live on the fringes of society (Why? If they truly are as powerful and weakness free, why go with the whole blood lust scenario? Why, to quote a better vampire flick, isn't it that "Humanities Free Range days are over." [British Mini Series Ultraviolet. WAY better then Twilight.]) Yet ultimately, the author has no answers or merely weak ones. And when a plot point exists outside of reality, and only to move along the plot, there is a technical term for that in writing. "Bad writing".

Which leads to the final complaint, namely this is just another version of the Lost One's least beloved bedtime story, the bad boy who just needs to be loved. (That sound? The one you hear wherever you are on this happy spinning globe that is big daddy Earth, is the sound of the Lost One vomiting) But again, this fantasy is just as shallow as the male fantasy that, ironically, the vampire was created to mock, the I-can-sleep-with-every-one-consequence-free idea that is at the heart of the vampire mythos. Only, where STDs (Or STIs depending on the vernacular) have killed the male version, the female version is still alive, and keeping women in crappy relationships with abusive husbands, boyfriends, and lovers the world around. Yuck.

So ultimately, the Lost One must turn to a quote from the Sage that is the Ace of Spades, "There are 2 kinds of vampire films, ones in which valiant humans battle against impossible odds, to save humanity from monsters, and vampire films that suck." Wise words. Wise words, indeed.